- As part of Glasgow Open House Festival 2017, the space of a tenement bay window was converted for use as a Cinerama.
- Showing How The West Was Won (1962), an epic MGM western film that charts the fates of the Prescot family as they move west across America.
- The technology, Cinerama, was short lived. It was intended to give viewers an immersive experience. Here it is scaled down to fit the domestic setting.
- The film ends with aerial footage of contemporary America, complete with traffic jams and heavy industry.
- Exit.
- Thrust Stage, a collaboration with Sighle Bhreathnach-Cashell, took place at WolfArt Project Space in Rotterdam, the Netherlands in September 2016.
- Attendees were taken through a series of spaces.
- The main section consisted of a dolly track and three repeated stage sets.
- The work centred around the imagined reminiscences of Duncan McLachlan on the occasion of his retirement as a British Rail engineer.
- The scenes, domestic and bland, each a had a short film playing on a loop.
- The films were drawn from scenes of consumerist action, including the filming of an advert that took place in a fictitious supermarket.
- Tomma Rum (Empty Space) poster, collaboration between Gillian Martin and Richard Martin.
- Intellectual pride, part of a series titled Postcards from Ljusne, 2015. Made as part of the Tomma Rum residency in Ljusne, Sweden.
- All the world’s a ping pong table, 2015. Image credit Tomma Rum.
- All the world’s a ping pong table, 2015. Completed as part of an exhibition during the Tomma Rum residency in Ljusne, Sweden.
- This is a version of the work Memorable eating, 2015, which is part of a group show- Museum For An Imagined City- at SOIL Gallery, Seattle USA
- The work consists of a deck of cards carrying various captions, all of which have been sourced from the Official Guidebook of the Century 21 Seattle 1962 World’s Fair
- The hope is that visitors to the gallery take the cards and so distribute them around the city
- Titles include “AN ANIMATED MECHANICAL COW”, “THERE ARE NO TRAFFIC JAMS” and “HIS LEGACY MAY BE ONE OF HUMAN MISERY”
- Clap your hands three times, 2013 Summerhall, Edinburgh
- Clap your hands three times, 2013 Summerhall, Edinburgh
- Clap your hands three times, 2013 Summerhall, Edinburgh
- Clap your hands three times, 2013 Summerhall, Edinburgh
- Mock-up, 2012 Sierra Metro Gallery, Edinburgh
- Mock-up, 2012 Sierra Metro Gallery, Edinburgh. Opening night performance.
- Mock-up, 2012 Sierra Metro Gallery, Edinburgh.
- Grand national, part of Mock-up, 2012
- One of your five-a-day, part of Mock-up, 2012
- GAMES NIGHT! 2012, a collaborative effort at the Glue Factory, Glasgow
- GAMES NIGHT! 2012, a collaborative effort at the Glue Factory, Glasgow
- GAMES NIGHT! 2012, a collaborative effort at the Glue Factory, Glasgow
- Amica o Nemica? part of GAMES NIGHT! at the Glue Factory, Glasgow 2012
- imagery for GAMES NIGHT! 2012, the Glue Factory, Glasgow
- THE LEARNING EXPERIMENT, 2013. A collaborative project at Platform Arts, Belfast
- Come on down, it could be you. Installation as part of Procedure, Belfast 2011.
- 4 years to go… 2010, installation part of R.I.P at the Mutual, Glasgow
- Grey area, 2009/2010 Front space gallery, GSA
- See reverse… 2008 public artwork, Glasgow